For all the parents out there, Anita Boyer and Joe Pallister have date night under control.
Sarna Lapine imagines sharpshooter Annie Oakley was a nomad, a traveler at heart, restless in one place for too long — and loath to settle down, unless she found her home.
Jean Tafler is not the type of woman, or actor, to live and die by reviews — though one has changed the course of her career.
“Stan the Man” is now. It’s immediate. And it knows what buttons to push.
Set in a college campus, a controversial assignment in history class becomes the fulcrum for this stimulating one-act play.
The rendition of “Annie Get Your Gun” at Bay Street Theater in Sag Harbor this summer is a departure from the Irving Berlin classic....
Pat Benatar and Neil Giraldo have formed one of the most successful partnerships in music history.
In the history of musical theater, there are few bodies of work that have been so long — or so fervently admired — as the comic operas of Gilbert & Sullivan.
As a young girl, Sandra Roth Schoenbart constantly asked herself one burning question: “Could the daughter of a Jewish accountant from Queens, New York, ever become an actress?”
In the “Safe Space” rehearsal room, Alan Fox has heard the words “charged” and “incendiary” thrown around as descriptors of his first full-length play.
Kristin Eberstadt has officially joined the Guild Hall team as Director of Philanthropy.
The cast and crew of the Pierson High School production of “13 The Musical” took home a Teeny Awards Judges’ Choice Award on June 9.
“Andromeda’s Sisters” is a theatrical fundraiser spearheaded by Neo-Political Cowgirls founder Kate Mueth and fueled by explosive female playwrights, actors, directors and advocates.
The exhibition will feature ceramics by designer Ondine Karady, who works across multiple mediums: wood and clay, textiles and wallpaper, and furniture and sculpture.
Before any one performance of “From Ship to Shape,” Walker Vreeland requires two months of intense rehearsal — because even though he wrote the words he acts on stage, he does not feel like the person who once lived them.